Items tagged with andrew-lloyd-webber

I posted to usefulwiki.com

Over the Rainbow – the judges

http://usefulwiki.com/londontheatre/over-the-rainbow-the-judges.html

The search for Dorothy Over the Rainbow continues Andrew Lloyd Webber’s search for Dorothy this Easter weekend. By Sunday night we will know which girl will go home and definitely not be Dorothy. While we wait for that result I thought I’d take a look at the panel of judges, tell you a bit more about each of them and explain why they are uniquely qualified to help choose Dorothy. Charlotte Church I suppose most of us know who Charlotte Church is, or at least think we do. After all some of us remember her first TV appearance with Richard and Judy. On that occasion she was a child with an amazing voice who sang Pie Jesu down a phone line because her aunt had rung in to Good Morning. Charlotte Church We watched her grow up and for a while turn into a bit of a wild child. Well, she’s moved on somewhat since that. Although she doesn’t have any musical theatre experience there is a lot she could teach the Dorothies. She’s a very good technical singer with a deep understanding of how voices work. She also seems to be quite good at explaining to the girls which aspects of their singing they need to work on. John Partridge John Partridge We all know John Partridge best these days from his soap career as a member of the EastEnders cast but he has a long history in musical theatre. John was a member of the touring cast of Cats in 1988 at the tender age of 17 so he understands some of what the younger Dorothies are going to face. Then much later he starred in the West End production of Cats first as Rum Tum Tugger and later as Mukustrap. He also played Rum Tum Tugger in the film. John has also played lead roles in Starlight Express, Miss Saigon and Rent. He’s bringing this depth of musical theatre experience to the panel and giving the girls quite detailed feedback on their performances. Sheila Hancock Sheila Hancock What to say about a trouper like Sheila Hanock? She’s a gifted and intelligent actress who also sings. She has an impressive depth of knowledge and experience in the theatre. Her list of theatrical credits would take up the whole page! An alumnus of Joan Littlewood’s famous Theatre Workshop, Sheila has been treading the West End stage since 1958. She’s currently appearing in Sister Act as the Mother Superior and still enthralling audiences. The best thing about her in this context though is that she can and does clearly and precisely tell the girls how to improve their performances. Dorothies or Dorothys? I’m torn. Should it be ‘Dorothies‘ or ‘Dorothys’. I’ve checked and that august organ the BBC uses Dorothys. I was always taught that proper nouns (names etc.) that ended in ‘y’ took ’s’ for their plural form. but my co-writer here, and editor, Andy prefers Dorothies. Which of us is correct? Do you know? a
- Tags:
- west end
- Andrew Lloyd Webber
- Musical Theatre
- sister act
- Sheila Hancock
- miss saigon
- Wizard Of Oz
- Rent
- rainbow
- charlotte church
- eastenders
- eastenders cast
- john partridge
- pie jesu
- richard and judy
- rum tum tugger
- tv appearance
- partridge
- church
- dorothies
- sheila
April 4 2010, 5:45am | Comments »
I posted to usefulwiki.com

Love Never Dies Theatre Breaks

http://usefulwiki.com/londontheatre/love-never-dies-theatre-breaks.html

Recommending Love Never Dies Theatre Breaks Love Never Dies is Andrew Lloyd Webber’s not exactly sequel to Phantom of the Opera. I saw it in previews, liked it very much but was not quite ready to recommend it for theatre breaks fans. I wanted to see if the show settled down and to let ‘his Lordship’ make the inevitable changes a preview period brings. Now the show has settled and people are happily booking their Love Never Dies theatre breaks and having a great time. ** Book Love Never Dies Theatre Breaks ** The Story of Love Never Dies Set on Coney Island, New York some 10 years after the events of Phantom, Love Never Dies is a more grown-up story of love. It has lost some of the teenage fascination with the Gothic that is such a huge part of the power of Phantom and in its place there is a much more human set of characters. There are plenty of places online where you can find a synopsis of the story but my advice is to go to the show without any preconceptions and enjoy it for what it is, a powerful piece of theatre, full of spectacle and gorgeous music. Love Never Dies Music I just adored the music. Some people thought there were not enough memorable tunes but my house rang to much whistling and humming for days after we saw the show. I think the music is more interesting and I actually enjoyed it more than Phantom (gasp!). Speaking of the gorgeous music just listen to the divine voice of Sierra Boggess: Click here to view the embedded video. Oh and how about the utterly wonderful Ramin Karimloo: Click here to view the embedded video. And that’s without mentioning the great performance of Summer Strallen as Meg Girey! Love Never Dies theatre stage set I thought the set was mostly wonderful. There’s good use of back projection and special effects but it’s the Art Nouveau aspects that just blew me away. Some of the sets looked like exquisite pieces of Art Nouveau jewelry or spectacular Tiffany lampshades. At times I was reminded of the film set of Moulin Rouge, but then I loved that too! It made a wonderful backdrop for the passionate story. A big question: One show or two? I know people were worried that they haven’t seen Phantom and would find it hard to follow the story. In our party we had someone who had never seen Phantom and she said that within the first ten minutes she had worked out enough to make sense of what was happening. She didn’t feel that not knowing the back story spoiled her enjoyment at all. Having read all the fuss about certain bloggers and forums I think there have been more problems with the devoted ‘Phans’. They’ve had to let go of their preconceptions about what the Phantom could be like and his relationship to Christine. People were too quick to judge a show that was still being ‘tweaked’ and seem to have forgotten that Phantom had its share of problems when it opened. I’ve seen both shows and I think the ideal solution is a double show theatre break. No one is offering one yet but there are rumblings from one or two of the agencies. Never fear as soon as they are available I’ll let you know! ** Book Love Never Dies Theatre Breaks ** a
- Tags:
- theatre breaks
- Andrew Lloyd Webber
- reviews
- Love Never Dies
- Sierra Boggess
- phantom
- Christine
- Ramin Karimloo
- Love Never Dies Phantom 2
- Coney Island
- New York
- Summer Strallen
- nouveau
- preconceptions
- dies
- settled
- gorgeous
- problems
March 28 2010, 10:16am | Comments »
I posted to theatrebreaksinlondon.co.uk

Theatre Breaks in London 2010 – Love Never Dies

http://theatrebreaksinlondon.co.uk/40/theatrebreaksinlondon2010-loveneverdies/

My tip for theatre breaks in London in 2010 is going to be for, “Love Never Dies”, the Phantom of the Opera sequel. We don’t know all that much about it yet, but that doesn’t matter, even this early. We know the pedigree behind it, with Andrew Lloyd Webber in charge and a whole string of hit musicals behind him, but that’s not the clincher. Theatre breaks in london Anybody who has been up to London on a special trip just to see The Phantom of the Opera will be wanting to see what happens next, and that’s where Love Never Dies theatre breaks in London will pick up a certain number of devotees but there’s more. There are two books which Phantom fans may have come across. One by the original author of the novel upon which phantom the musical was based, ( that one is also called “Love Never Dies”) and a later novel by Frederick Forsyth called “The Phantom of Manhattan”.
Where I think this new musical is going to make sure of its own survival in London theatreland though, is in having Ben Elton write the playscript. Elton is the comedian, comedy writer and novelist who is behind the storyline in “We Will Rock You” which is another of the longest running West End musicals, and a long term favourite for theatre breaks in London, not just for the great classic rock songs by Queen. So with a host of talented established musical theatre stars lined up for a possible three instances of Love Never Dies worldwide, with the experience of the management, talent of the writers and the following of Phantom to build on, I can’t see Love Never Dies failing to make a permanent marl on the London theatre breaks scene.
October 2 2009, 7:07am | Comments »
I posted to usefulwiki.com

Andrew Lloyd-Webber attacks the Internet

http://usefulwiki.com/londontheatre/andrew-lloyd-webber-attacks-the-internet.html

Musical theatre impresario Andrew Lloyd-Webber has railed against the internet broadband suppliers in the House of Lords for profiting from customers who share digital music - so called internet piracy, and urged the government to clamp down hard. What I Think I don’t mind a bit of eccentricity but LLoyd Webber is braying like a dinosaur at the small and furry ones. He’s desperate to preserve something called “The music Industry” at a time when the number of people who have access to the means to create music and reach new audiences has massively multiplied. But these are not the kind of ‘creatives’ he’s interested in, only the industrial megastars with their sanitised overproduced market segment targeted version of music. His argument that without the contrived scarcity of monopolistic media industry giants generating profits for shareholders and large numbers of managers and marketers, then creative people would simply stop creating is clearly nonsense.
Lloyd-Webber said investment in higher speed broadband networks should be delayed until “there is a sustainable commercial arrangement for those creative works on which these new networks depend”, suggesting unregulated higher bandwidth would mean the film industry would suffer the same fate as the record business. He wants to maintain a system which means that a very small number of manufactured “Stars” generate the lion’s share of the income so that the old fashioned media industries and all their hangers-on can continue to enjoy their lifestyles off the back of a restricted set of safe and successful artists. He’s using his position in the unelected House of Lords to urge The government to put try to put the internet genie back into a bottle, to stop a whole generation of people who have grown up with technology, from applying their own innovations and using the social media freely as a they have become accustomed to do so.
He might as well have been speaking at the annual dinner of the flat earth society. The record industry has contracted largely due to its own inability to adapt to the changes in business model which the new media enables. Trying to slap government restrictions onto the digital peer to peer channels is like trying to prop up the hot metal print industry long after digital desktop publishing has been invented. Did the art of creative writing die and all the writers stop writing when the old system was replaced? No, they adapted and prospered and so will the songwriters, musicians and creative entertainers find new and different ways to earn a living in the digital age, it’s just that the shape of the pyramid structure that grew around the old system might have to change somewhat.

Related Posts:Phantom gets a new state of the art sound systemTheatres Are Not "Museum Assets," Says Lloyd WebberPhantom 2 or Once Upon Another Time - Nov 2009The New Maria - Lloyd Webber and HollyoaksOliver! I'd Do Anythinga Andrew Lloyd-Webber attacks the Internet
- Tags:
- music
- opinion
- Andrew Lloyd Webber
- broadband
- film industry
- internet piracy
- Lloyd-Webber
- Musical Theatre
- record business
April 3 2009, 1:03pm | Comments »