Serious drama is the new black Writing in the Evening Standard Nicholas Hytner makes a ‘confident prediction’. He says: the hot tickets in London this summer will be for Shakespeare, Chekhov and Racine. He suggests there’s serious hunger amongst the theatre audience for more complex plays. He goes on to say: Over the next few months, sold out houses, a thousand strong, will discover again that honesty, intelligence and nobility of mind can be a crippling handicap (Hamlet). That the destruction of a decayed old order is necessary and absolutely heart-breaking (The Cherry Orchard). That obsessive love is an affliction that can turn a woman into a stalker (All’s Well That Ends Well) or prompt her to accuse an innocent young man of rape (Phedre) - but that in both cases the audience will stay with her, will not easily condemn, will not turn tabloid editor and cry witch. I can’t disagree with any of that. They are all productions that I’d love to see. Rich, complex, serious drama. And there is an audience for it. Those productions, in the main, sell out before most of that potential audience can even book seats. He’s not saying the West End musicals are dead. He’s being much more subtle than that. His point seems to be that the London theatre can both celebrate and satirise ‘pop culture’. I think he might be saying that we can have our ‘jukebox’, feel-good, musicals so long as they come with a suitable spoon full of self-awareness and make us think, as well as sing. It will become part of a London theatre that is thriving because it provides escape, because it both satirises and embraces a debased popular culture. But above all, because it is serious. And it turns out that serious is what the public wants. What do you want? I hate to point out the obvious but Nicholas Hytner is Director of the National Theatre. To an extent he has to believe serious drama is what the public wants. So it’s over to you, dear reader, what is it that you want? More serious drama? Or more fluff like Legally Blonde? (Oh and please, don’t try to persuade me it’s making a serious feminist point!)
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